
DINAGYANG FESTIVAL: The frenzy, pomp and splendor of a
religious-cultural feast to commemorate the arrival of Malay settlers,
in Panay, retells the age-old lore and traditions of how the island
was sold by the atis to these new settlers.
Cuing up from the Sinulog Festival of Cebu, and the Ati-Atihan of
Aklan, this grand festival is held every fourth Sunday of January to
honor the patron saint, Santo Niño.
The first and only festival in the world today to have gained the
support from the United Nations on the promotion of its Millenium
Development Goals (MDGs).
History
Dinagyang began after Rev. Fr. Ambrosio Galindez of a local Roman Catholic parish introduced the devotion to Santo Niño in November 1967. In 1968, a replica of the original image of the Santo Niño de Cebu
was brought to Iloilo by Fr. Sulpicio Enderez as a gift to the Parish
of San Jose. The faithful, led by members of Confradia del Santo Niño de
Cebu, Iloilo Chapter, worked to give the image a fitting reception
starting at the Iloilo Airport and parading down the streets of Iloilo.
In the beginning, the observance of the feast was confined to the parish. The Confradia patterned the celebration on the Ati-atihan of Ibajay, Aklan,
where natives dance in the streets, their bodies covered with soot and
ashes, to simulate the Atis dancing to celebrate the sale of Panay. It
was these tribal groups who were the prototype of the present festival.
In 1977, the Marcos
government ordered the various region
s of the Philippines to come up
with festivals or celebrations that could boost tourism and development.
The City of Iloilo readily identified the Iloilo Ati-atihan as its
project. At the same time the local parish could no longer handle the
growing challenges of the festival.
The Dinagyang is divided into three Major events: Ati-Ati Street Dancing, Kasadyahan Street Dancing and Miss Dinagyang.


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